Sistere by Diatribes sold out released March 15, 2017 „The two pieces are played live, over a background recording, which is a technic we used also on the previous pieces, creating doubt of perception. We wanted to get back to „real“ instruments and work with their natural sound, but still keep them in an electroacoustic […]
All posts filed under ‘Nezaradené’
MAP05 /// Line Gate – Den
Den by Line Gate sold out released February 1, 2017 Line Gate was formed in Michalovce, Eastern Slovakia in 2010. Since then some personal changes were made and now a solo incarnation is residing in Prague. After two years of solitary bedroom experimentation and almost four years after the debut “Split Lines”, Line Gate is […]
MAP01 /// Jeph Jerman – 34°111’3″N 111°95’4″W
34°111’3″N 111°95’4″W by Jeph Jerman sold out released February 3, 2016 “The recordings were made over a period of a couple of years. The windmill is located about a mile north of the town where i live, on what i assume is ranch land used for raising cattle. It was once used to pull water […]
MAP02 /// Adam Asnan – Carriers, PA
Carriers, PA by Adam Asnan sold out released March 23, 2016 „I studied electroacoustic composition where I learned the essentials of how to manage material. I spent a lot of time in the studio developing my skills for fixed media, fixed composition, but now I am far more interested in the recording situation, than the […]
MAP03 /// Daniel Lercher & Vinzenz Schwab – Decrecimiento Exponencial
Decrecimiento Exponencial by Daniel Lercher & Vinzenz Schwab sold out released June 15, 2016 Daniel Lercher and Vinzenz Schwab are electroacoustic musicians from Austria. Both studied at Vienna Institute „ELAK“ focusing on computer music, programming and experimental audio and both are part of the klingt.org platform, which connects musicians across electroacoustic, noise, impro, turntablism and […]
MAP04 /// Sarah Hennies – Orienting Response (by Cristián Alvear)
Sarah Hennies: Orienting Response by Cristián Alvear sold out released October 24, 2016 “Orienting Response was written specifically for Cristian Alvear at his request. In writing the piece I wanted to see if I could create the same kind of focus and intensity I have created with percussion instruments using an instrument (the nylon stringed […]